3/22/2023 0 Comments Joan miro printsMiró never officially joined the Surrealist movement, yet that didn’t stop its founder André Breton declaring him in 1928 ‘the most Surrealist of us all’. In short, it moved even further away from figuration. In Paris, Miró made friends with a number of Surrealist poets - Louis Aragon and Paul Eluard among them - and before long these friendships starting having an impact on his art. The Hunter (today found in New York’s Museum of Modern Art) is a fine example: this is no naturalistic depiction of a hunting scene, but an agglomeration of isolated forms, such as a smoking gun and a freshly killed rabbit, which float about the picture plane and which the viewer is asked to make sense of. Not a single work sold - a failure that hastened Miró’s departure for Paris in 1920.Īround this time, he said his artistic aim was to ‘use reality as a point of departure, never as a stopping place’. It featured almost 200 works, including landscapes indebted to Cézanne and the Fauves. His debut solo exhibition came seven years later, at Galeries Dalmau in the same city. Miró showed his first painting while still a teenager - at 1911’s Exposición Internacional de Arte in Barcelona. Whether you’re seven years old or 97, his art will appeal.’ Escape to Paris Miró loved painting and kept looking for new ways of doing it. ‘He was a poet of the visual,’ Camu adds, ‘his art is easy on the eye, very playful and colourful, yet technically excellent. ‘What’s interesting, though, is that Miró works from throughout his career do well on the market,’ says Olivier Camu, deputy chairman and international director of Impressionist & Modern Art at Christie’s. He’s probably best known for the works he created in Paris in the 1920s, in connection with the Surrealists. He produced more than 2,000 paintings in all, reinventing himself regularly, from the early period in his native Barcelona to his final years spent on the island of Mallorca. Miró claimed that the act of painting was ‘an exchange of blood, a total embrace without caution, without thought of protecting yourself’. Across eight decades, he produced prints, sculptures, tapestries, ceramics and, most famously, paintings, as well as works on paper. Despite an early flirtation with accountancy, Joan Miró (1893-1983) devoted himself to a career in art.
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